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The suspended time between past, present and future already signals inescapable loss and mourning. Which is something I can deal with. He never forgets that he loves me and that I love him. They may crash and burn, or burn and crash. Barnes points to interactions between partners as dynamic rather than fixed.

A Sense Of Reality

The interdependent identity of couples is subject to growth, changes, alterations and adjustments. If not at first, then later. If not for one, then for the other.


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In I Still Do , photography performs a several functions—to crystallise the trace of loss, to extend the moments of togetherness and also to provide support to those left behind after the death of the other. The photographic act in this project, I argue, gestures love and care towards the other, and the photographic image solidifies this gesture. The photographs and the accompanying text attempts to build a dialogue, gesture love and explore the echo in between the relation with the other.

Photography, whilst also pointing to something that is left outside the frame, provides a space where the relationship between Fox and her husband can be played out; it provides an opportunity for intimacy. Relationships amongst partners can be fragile and vulnerable, and vulnerability is intrinsically linked to intimacy.

The loss of the other, or the loss of something within the other, results in exposure of oneself, characterised by a wide range of emotions, such as grief, guilt, anger and fear. The photographic essay deals with illness and love, which are considered as private expressions. However, photography transfers the personal into the public, therefore seeking new forms of collective outcome. Viewed through the lens of public activism, the photographic essay creates a counter-statement of visual stigma and expand the understanding of lived experience.

The project also resists conclusion; the photographs provide continuity. The space that opens up between the image and the text, as well as in the photographic act itself—between the photographer, the subject of the photographs, and viewers—presents the possibility of dialogue that has a transformative potential.

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For Merleau-Ponty:. In the experience of dialogue, a common ground is constituted between me and another; my thought and his form a single fabric, my words and those of my interlocutor are called forth by the state of the discussion and are inserted into a shared operation of which neither of us is the creator.

Photographic essays, as I have illustrated in this paper, create time and space between individual images as well as between text and image. These spaces that open up between the images and text as well as between the photographer, their sitter and the viewer of these works are critical in connecting different agencies and engaging with an open-ended dialogue. The former describes sound quality and timbre that is unique to every individual and the latter is a process expressing personal experiences and feelings through words , The project was also presented as a touring exhibition around Europe and the States.

Fox has also given several interviews on TV and radio, and presented her work at several international conferences. The images are exposed using digital technology and developed and processed using analogue techniques. Department of Health and Human Services, states that persons 65 years or older represent S in , a number which has increased by In the UK, the Office for National Statistics quotes that people aged 65 and over make up just under 18 percent of the population; advances in health treatments have improved mortality rates, especially for men, as the number of men aged 75 and over has increased by per cent since mid Office for National Statistics This recognition breaks the unity between biological age, ageing and disease.

An ongoing photography project Still Life? It is, however, debatable whether the title of this project challenges or reinforces existing stigma associated with ageing. For an in-depth discussion on this project, see E. Tulle Consent to include several photographs from the publication I Still Do was obtained from the author and photographer Judith Fox. National Center for Biotechnology Information , U. The Journal of Medical Humanities. J Med Humanit. Published online Apr Agnese Sile. Author information Copyright and License information Disclaimer. Agnese Sile, Email: ku.

Corresponding author. Open in a separate window. Echo Edmund is predominately photographed in enclosed spaces: a bathroom, a bedroom and a courtyard. Failure of knowing In between the text, images and exchange of gazes, there are tensions, anxieties and secrecies.

A Sense Of Reality

For Merleau-Ponty: In the experience of dialogue, a common ground is constituted between me and another; my thought and his form a single fabric, my words and those of my interlocutor are called forth by the state of the discussion and are inserted into a shared operation of which neither of us is the creator. Compliance with Ethical Standards Informed consent Consent to include several photographs from the publication I Still Do was obtained from the author and photographer Judith Fox. References Administration for Community Living.

Azoulay, Ariella. The Civil Contract of Photography. Baer, Ulrich. Spectral Evidence: The Photography of Trauma. Cambridge, Mass. Barker, Jennifer M. Berkeley: University of California Press. Barnes, Julian. Levels of Life. London: Vintage Books. Barthes, Roland. Camera Lucida: Reflections on Photography. London: Vintage Classics. Bayley, John. Iris: A Memoir of Iris Murdoch. London: Duckworth.

Bell, Susan E. Memory, Family, and Material Objects. Cavarero, Adriana. Stanford, California: Stanford University Press.

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Damasio, Antonio. London: Vintage. Diedrich, Lisa. Treatments: Language, Politics, and the Culture of Illness.

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Minneapolis: University Of Minnesota Press. Eakin, Paul J. Ithaca, N. Y: Cornell University Press. Fairhurst, Eileen. Basingstoke: Palgrave Macmillan. Featherstone, Mike and Mike Hepworth. Minneapolis: University of Minnesota Press. Fox, Judith. New York: Power House Books. Frank, Arthur W. New York; London: Taylor and Francis. Freeman, Mark. Genova, Lisa.

Still Alice. Bloomington, Indiana: iUniverse. Hearn, Jeff. London; New York: Routledge. John-Steiner, Vera. Creative Collaboration.

Kashi, Ed. Berkeley: University of California. Keesing, Roger M.