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The horror film is tragically predictable and boring

Sort order. Start your review of The Weeping and the Laughter. Apr 20, Bettie rated it liked it Shelves: historical-fiction , slavic , france , published , autumn , paper-read , period-piece , bedside , switzerland , winter This review has been hidden because it contains spoilers.

To view it, click here. Rudi, my twin brother, and I were twelve years old when, one day early in , Rudi overheard Papa talking to Mama and Aunt Olga in the next room. View 1 comment.

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Jul 27, Jessica Scott rated it it was amazing. This is my favorite book. There was just something about the story that still haunts me. I read it as often as i can.

Nov 26, Sally Seymore rated it liked it. A beautifully written novel that spans over almost thirty years. It starts with the aristocratic Korolev family preparing to flee a Russia that is in turmoil and on the brink of revolution. The family gets seperated and only some of them make it to France.

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The Curse of La Llorona - Wikipedia

They continue with their unusual lives, slotting into the decadence of the time. As life continues surprises come their way as their aunt, lost in their attempt to flee the revolution, arrives on their doorstop with young Tasha, whom she claim A beautifully written novel that spans over almost thirty years. As life continues surprises come their way as their aunt, lost in their attempt to flee the revolution, arrives on their doorstop with young Tasha, whom she claims is her daugter.

Then many years later after Prince Korolev's death, information reaches them that Nikki's twin brother, Rudi, who was also seperated from them while fleeing, was in fact alive, but his whereabouts unknown. After a war-torn Europe they discover he is held as a POW, on the verge of being sent back to Russia, now under Stalin, which would certainly mean death. Although a novel, it is set in historical fact and well worth reading. Jan 18, Razvan Banciu rated it liked it.

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Aug 16, Anny rated it liked it. I was reading it in estonian language Sad story about after the war, the story of one family.


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Nov 09, Donna Boultwood rated it liked it. Not my favourite Noel Barber, but still a good story. Jul 10, Tawfiq elBastaki rated it really liked it. The story takes place during the last days of the Romanov royals of Russia Jan 26, Lois Condon rated it really liked it. Provides interresting insights on the life of noble Russians who flee in the early 's to Paris. Very interresting especiatlly to those of eastern european heritate. Gillian Rolland rated it liked it Dec 15, Jane Burch rated it it was amazing Feb 09, Candace rated it it was amazing Sep 25, Mrgowen rated it liked it Dec 09, Lynne Thompson rated it really liked it Feb 04, Trisha rated it really liked it May 27, Hayley rated it liked it May 30, Anne rated it liked it Jul 03, Derek Thorpe rated it really liked it Feb 04, Corry rated it liked it Jan 08, Juliane rated it it was ok Apr 12, Yasser Ahmed rated it liked it Aug 03, Sheila rated it liked it Apr 05, Shreen Gough rated it it was amazing Apr 14, Bonnie rated it it was amazing Sep 02, Sarah Aziz rated it it was amazing Jul 20, Sherry rated it liked it Jul 04, The setting is Los Angeles in the early s.

Linda Cardellini plays Anna, a widowed social worker with two young children whose job brings her into contact with Patricia Patricia Velasquez , a single mother in a similar but more desperate plight. After a tragic turn of events, Patricia seeks vengeance by summoning up a malignant, veiled ghost named La Llorona, who preys on children in particular. As a result, Anna comes under suspicion of being an unfit mother, forcing her to turn to the church represented by Tony Amendola, playing the same character he did in another Wan production, Annabelle and then to an eccentric but confident "faith healer" Raymond Cruz.

Weeping Woman

To the degree that it's possible to take this plot seriously, it must be admitted that it has a conservative slant. For Anna, other women are menacing while men tend to be supportive and protective — and the suggestion is planted that none of her problems would have arisen if her cop husband were still alive. But these themes are so faintly delineated they hardly serve as anything more than a pretext for scares. Intriguingly, Chaves allows a passing nod to the great Hollywood director Vincente Minnelli, a master of widescreen framing who dealt in his own way with the subject of families under threat.

Chaves is working in a more purely spectacular, even cartoonish mode. But for all his reliance on corny shock effects, he retains a degree of stylistic sophistication, grasping that these effects depend on the power of contrast between silence and noise, stillness and rapid movement, darkness and light.